|
||||||||||||||||||||||||||||||
PRESS RELEASE
|
||||||||||||||||||||||||||||||
Josh Simpson, an internationally renown glass artist for over 30 years, will be visiting Santa Fe for the opening of his gallery exhibition “Inner and Outer Space…the visionary landscapes of Josh Simpson.” The title aptly fits the life Josh and his family lead in Shelburne, MA and Houston, TX. They are not the traditional family one might imagine. Josh’s extensive and specially fitted glass studio is located in Shelburne, MA where Jamey, his 10 year old son, is enrolled in school. His wife is Cady Coleman, a NASA Astronaut. They have traveled the globe together but Coleman has traveled quite far beyond that. Josh and Jamey were present last December 15th when Coleman launched on the Russian Soyuz spaceship for Expedition 26/27 to be the flight engineer on the International Space Station. The crew will be conducting science experiments 24 hours a day. Jamey Simpson was Continental Airlines’ youngest platinum flier at the tender age of 3, having already logged 75,000 miles visiting his mother at training sites around the world. Before meeting Coleman, Simpson’s work was already centered on capturing and sharing his awe of the natural world and the cosmos in particular. Simpson describes his routine as: “The last thing I do before I go to bed is walk out to my studio to check the furnaces. Seeing an aurora borealis, or watching a thunderstorm develop down the valley, or just looking up at the sky on a perfect summer night inspires me to translate some of the wonder of the universe into my glass. That wonder comes out in my work, not in any purposeful way but slowly. My work evolves in such incremental steps that I often don't recall what I have done.” Simpson’s artwork at first appears controlled, but how could glass worked at 2,000 degrees and on the end of a blow pipe be “under control”. A closer look reveals a highly organic growth process. When gazing into a “Megaplanet,” the viewer is mesmerized by the layers and layers of space that contain small mysterious forms and floating diaphanous material mingling, overlapping, shimmering and weaving in and out of outer space. If you look closely you can see the twinkling of tiny rays of light. Jane Sauer states, “I can’t stop turning these over and over to reveal new views of the night skies. They predict the mystery beyond the usual night skies we see and serve to give us an extraordinary vision into the universe.” The wide platters, such as “Corona Platter” in the exhibit, contain intense swirls of color folding in and out, and wrapping around each other. Perhaps Simpson is privy to the visions of his wife that we do not know about. Has this been discovered or are they about to be discovered? One of the platters, “Blue New Mexico Corona Platter,” brings to the human experience in one sweep, the deep electric blue of New Mexico on the clearest day. This is repeated in another piece “New Mexico Bowl” but this time the viewer senses the other planets in distant space within the bowl and again on the outside circumference of the volume. Simpson has created a series of sensuous vases, which he calls “inhabited vases." They explore the potential of a utilitarian object to be another carrier of the mysteries of space. They also contain layers of glass particles that suggest the cosmos. As is typical of Simpson’s method of work, there appears to be layer after layer of intertwined matter suggesting the power and depth of the universe. "CORONA PLATTER #11-12-10"
|
"TEKTITE PORTAL #1-2-11" Simpson’s “Tektites” highlight the contrast between a smooth silvery iridescent interior with a rough, gnarly and charred exterior. He opens these rocky chunks into vessels, and the interiors glow like diamonds born of black coal. The “terrestrial-impact theory” states that a meteorite impact melts material from the Earth's surface and catapults it up to several hundred kilometers away from the impact site, which means that it must have travelled through space. The molten material cools and solidifies to glass. The “Portal” series combines Planets with the raw and gnarled glass surrounding Simpson’s “Tektites.”
|
|||