Josh Simpson

Inner and Outer Space...the Visionary
Landscapes of Josh Simpson



 
 

PRESS RELEASE
For Immediate Release

Contact   Jane Sauer
Owner/Director
Jane Sauer Gallery
652 Canyon Road
Santa Fe, NM
jsauer@jsauergallery.com
505-995-8513
For Images   Richard Boyle
rboyle@jsauergallery.com
High resolution images are available
Website   www.jsauergallery.com
Winter Hours   Tuesday - Saturday 10 am - 5 pm
Exhibition   “Inner and Outer Space...the Visionary
Landscapes of Josh Simpson”

by Josh Simpson
Josh is available for interview
Dates   March 11 - April 5, 2011
    Opening Reception
Friday, March 11
5:00 - 7:00 pm
    Artist will be present

 

 
Josh Simpson, an internationally renown glass artist for over 30 years, will be visiting Santa Fe for the opening of his gallery exhibition “Inner and Outer Space…the visionary landscapes of Josh Simpson.” The title aptly fits the life Josh and his family lead in Shelburne, MA and Houston, TX. They are not the traditional family one might imagine. Josh’s extensive and specially fitted glass studio is located in Shelburne, MA where Jamey, his 10 year old son, is enrolled in school. His wife is Cady Coleman, a NASA Astronaut. They have traveled the globe together but Coleman has traveled quite far beyond that. Josh and Jamey were present last December 15th when Coleman launched on the Russian Soyuz spaceship for Expedition 26/27 to be the flight engineer on the International Space Station. The crew will be conducting science experiments 24 hours a day. Jamey Simpson was Continental Airlines’ youngest platinum flier at the tender age of 3, having already logged 75,000 miles visiting his mother at training sites around the world.

Before meeting Coleman, Simpson’s work was already centered on capturing and sharing his awe of the natural world and the cosmos in particular. Simpson describes his routine as: “The last thing I do before I go to bed is walk out to my studio to check the furnaces. Seeing an aurora borealis, or watching a thunderstorm develop down the valley, or just looking up at the sky on a perfect summer night inspires me to translate some of the wonder of the universe into my glass. That wonder comes out in my work, not in any purposeful way but slowly. My work evolves in such incremental steps that I often don't recall what I have done.”

Simpson’s artwork at first appears controlled, but how could glass worked at 2,000 degrees and on the end of a blow pipe be “under control”. A closer look reveals a highly organic growth process. When gazing into a “Megaplanet,” the viewer is mesmerized by the layers and layers of space that contain small mysterious forms and floating diaphanous material mingling, overlapping, shimmering and weaving in and out of outer space. If you look closely you can see the twinkling of tiny rays of light. Jane Sauer states, “I can’t stop turning these over and over to reveal new views of the night skies. They predict the mystery beyond the usual night skies we see and serve to give us an extraordinary vision into the universe.”

The wide platters, such as “Corona Platter” in the exhibit, contain intense swirls of color folding in and out, and wrapping around each other. Perhaps Simpson is privy to the visions of his wife that we do not know about. Has this been discovered or are they about to be discovered? One of the platters, “Blue New Mexico Corona Platter,” brings to the human experience in one sweep, the deep electric blue of New Mexico on the clearest day. This is repeated in another piece “New Mexico Bowl” but this time the viewer senses the other planets in distant space within the bowl and again on the outside circumference of the volume. Simpson has created a series of sensuous vases, which he calls “inhabited vases." They explore the potential of a utilitarian object to be another carrier of the mysteries of space. They also contain layers of glass particles that suggest the cosmos. As is typical of Simpson’s method of work, there appears to be layer after layer of intertwined matter suggesting the power and depth of the universe.

076

"CORONA PLATTER #11-12-10"
Glass

19" x 19" x 2"


 

 

Portal

"TEKTITE PORTAL #1-2-11"
Glass

4" x 5 " x 4 1/4"

Simpson’s “Tektites” highlight the contrast between a smooth silvery iridescent interior with a rough, gnarly and charred exterior. He opens these rocky chunks into vessels, and the interiors glow like diamonds born of black coal. The “terrestrial-impact theory” states that a meteorite impact melts material from the Earth's surface and catapults it up to several hundred kilometers away from the impact site, which means that it must have travelled through space. The molten material cools and solidifies to glass. The “Portal” series combines Planets with the raw and gnarled glass surrounding Simpson’s “Tektites.”

Simpson’s motivation comes not only from his constant observations of his surroundings but from glass itself. “Glass is an alchemic blend of sand and metallic oxides combined with extraordinary, blinding heat. The result is a material that flows and drips like honey. When it's hot, glass is alive. It moves gracefully and inexorably in response to gravity and centrifugal force. It possesses an inner light and transcendent radiant heat that makes it simultaneously one of the most frustrating - and one of the most rewarding - materials to work with. I attempt to coax it; all it wants to do is drip on the floor. Most of my work reflects a compromise between me and the glass; the finished piece is the moment in time when we agree."

In 2006 Simpson was granted one of the greatest honors for a glass artist. Out of all the glass artists in the world, Tina Oldknow, Curator of Contemporary Glass at the world renown Corning Museum of Glass, selected Simpson to create the 1,000th paperweight for their prestigious, extensive collection. For this commission Josh launched into creating a 100 pound “Megaplanet.” This was not only a technical feat but had to be an aesthetic masterpiece. After 14 attempts, an artwork worthy of this honor was created and now rests with the Corning Museum’s permanent collection.

Simpson also had a vision “to inspire appreciation and curiosity about the Earth and the Cosmos” by leaving his smaller “Plants” here and there as he traveled, to be discovered sooner or later by the unwitting passerby to wonder what they had discovered. More recently, he has formalized the practice with his “Infinity Project,” sending globes to people who write to him with an interesting plan for where to plant them around the world to be discovered.

Simpson’s exhibit “Inner and Outer Space…the visionary landscapes of Josh Simpson” will open Friday, March 11, 2011 at our gallery reception 5 – 7 pm. The artist will be present at the reception.