2012 Show Schedule
click on an artist's name or photo to
go to that page
| New Bold & Surprising December 2, 2011 - January 6, 2012 |
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| Patrick McGrath Muñiz | John Dodd | Krista Harris | Kent Townsend | |||||
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What is New Gallery artist's new work for 2012. |
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ARTfeast is a collaboration between 40 galleries and 40 restaurants to raise funds for art programs in the Santa Fe public schools. This year we are partnering with La Fonda Hotel's La Plazuela Restaurant. "Cooking Without Calories" artwork by Tim Tate will be featured during ARTfeast. |
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Tim Tate "In conjunction with ARTfeast, we are showing Tate's dellightful cast glass delicacies of pie slices, tarts, ice cream cones, cupcakes, cotton candy, eclairs, and donuts, artfully arranged in a pyramid of trays underneath a glass dome. |
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Roberto Cardinale Cardinale is known throughout the country for his carefully carved churches representative of those found in his travels in New Mexico, and neighboring states and his other travels. This year he has ventured to Mexico looking at colonial churches and to Italy. |
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2011 Show Schedule click on an artist's name or photo to go to that page |
Geoffrey Gorman Stop by and enjoy the seriously joyful animals of Geoffrey Gorman. "HAVING WINGS" is the story of these winged creatures and our ability to SOAR beyond our own expectations. |
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ARTfeast is a collaboration between 40 galleries and 40 restaurants to raise funds for art programs in the Santa Fe public schools. This year we are partnering with La Fonda Hotel's La Plazuela Restaurant. "HAVING WINGS" artwork by Geoffrey Gorman will be featured during ARTfeast. |
Click on image to view photos |
Josh Simpson "Along with the natural world, my motivation comes directly from the material itself. Glass is an alchemic blend of sand and metallic oxides combined with extraordinary, blinding heat. The result is a material that flows and drips like honey. When it's hot, glass is alive. It moves gracefully and inexorably in response to gravity and centrifugal force. It possesses an inner light and transcendent radiant heat that makes it simultaneously one of the most frustrating - and one of the most rewarding - materials to work with. I attempt to coax it; all it wants to do is drip on the floor. Most of my work reflects a compromise between me and the glass; the finished piece is the moment in time when we agree." |
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Considered one of the foremost fairs for masterworks bridging contemporary decorative, fine art and design, the 14th annual Sculpture Objects & Functional Art Fair at the Park Avenue Armory will be enjoyed by collectors from around the world.
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Janice Vitkovsky "The murrine technique is paramount to the execution of my work, allowing me to create intricate flowing patterns. The glass is cut and layered into strips, fused, then stretched numerous times to create the patterns. The glass is then fused again, carved and hand finished." |
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Cindy Hickok The history of art can be seen as an attempt to balance these two intentions: to create the illusion of three dimensions, or focus more on an interpretive, abstract quality, thereby enhancing pattern and decoration. This reflects the contrast between a literal and symbolic view of the world—confirming what we perceive—contrasted with what we feel about what we perceive. |
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Glass Week End at Wheaton Village This important American glass industry began in southern New Jersey because of the availability of natural resources such as wood, sand, soda ash and silica. The nation’s earliest successful glass factory was founded in 1789 by Caspar Wistar in nearby Salem County in Millville. The biannnual "Glass Weekend" features lectures, demonstrations by world renown glass artists, and an art fair featuring approximately 20 galleries, including Jane Sauer Gallery. Definately a very interesting weekend! |
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Geoffrey Gorman |
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Irina Zaytceva Having illustrated a number of children's books, Irina found that her love for sculpting offered a wider range of expressing her artistic views. Porcelain had a particular attraction for Irina for all its historical importance as well as for the finer grain this material offered as opposed to other ceramics. She developed several unique techniques that have never been used before, setting fewer limits to her |
created using highfired porcelain, overglaze as well as underglaze colors and 18K gold. |
Kay Sekimachi Spanning a fifty-year career, Sekimachi’s work is known for its elegant simplicity and superb craftsmanship. She has headed a revolution in fiber arts over the decades with her work in handmade papers combined with woven fibers. Now Sekimachi leads the field again with work she has never shown before: delicately woven scrolls, or makimono, and wall hangings. |
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SOFA West This is the third annual SOFA WEST: Santa Fe 2011 held August 3 - 7 at the Santa Fe Convention Center. Jane reported 90% of her sales were to new clients, 50% of them out-of-towners “who would never had walked into my gallery on Canyon Road." Over 12,000 people atended in 2010. Enjoy Santa Fe |
season, including our world renown Opera. |
Santa Fe Indian Market
The Santa Fe Indian Market is in the historic downtown plaza in beautiful Santa Fe, New Mexico. The streets of downtown are transformed into the largest Native arts market and exhibition. There |
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| Carol Emarthle - Douglas August 12 - September 6 “Basket weaving is a very time consuming art,” says Carol. “People that do it must be dedicated because it is not easy to mass-produce baskets. The traditional materials are getting harder to find and gather, but by learning new techniques and incorporating contemporary materials we can perpetuate and promote the art of Native American basketry.” |
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Michael Bergt The history of art can be seen as an attempt to balance these two intentions: to create the illusion of three dimensions, or focus more on an interpretive, abstract quality, thereby enhancing pattern and decoration. This reflects the contrast between a literal and symbolic view of the world—confirming what we perceive—contrasted with what we feel about what we perceive. |
Chuck Savoie "Within this body of work I strive to take the tradition of venetian "cup" making and add another page. I make all my own glasses from scratch, from sand, using none of the commercially made color bars. Some of the formulas I use are 17th century venetian and bohemian formulas, which I have modified. By going to this length it allows me to control my pallet and working in qualities of my own glass so my line of work is second to none." |
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Judith Content "My current work explores a contemporary interpretation of the traditional Japanese dye technique called arashi-shibori. My hand-dyed, pieced and quilted silk wall pieces are inspired by the interplay of light and shadow as fog descends and dissipates along the Pacific coast. I liken my pieces to the evocative Japanese haiku and often utilize an abstract interpretation of the kimono form." |
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SOFA Chicago This is one of America's major art fairs with 100 galleries from around the world exhibiting. “People are getting more excited about mixed media, found objects and new work. We had great sales and several commissions,” says Gallery Manager Jorden Nye of last year's SOFA Show. |
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Charla Khanna The dolls of Charla Khanna hang on the wall as works of textile art: “These are not dolls or little people,” Khanna says, explaining that the dolls are “manifestations of the human spirit, of the varied aspects of the human psyche.” They are “expressions of states of being,” she adds. Thus Khanna clearly dismisses any notion that her dolls are merely decorative or trivial, as beautiful as they are. |
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